Category Archives: Life

And all that I knew was the hole in my ceiling letting out water

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I like to think (and I probably flatter myself) that I don’t make many mistakes, but I have to admit that when I do they are ones to remember.

The great flood of October 09 was the crashing opening note of a symphony that goes on to this day, though I do feel it’s in its final movement. The builders performing extreme renovation on the flat above us have never failed to entertain. Next they did something (and we’re still not sure what, and that includes them) to divert rain water through a hole in the roof, down one of their walls and into our living room. That does seem to have improved despite an absence of roofwork. Maybe they put the whatever-it-was-they-moved back.

Next the newly installed boiler upstairs decided to leak, also into our living room. Of course, that’s on the opposite wall so it missed all the carefully positioned buckets very nicely.

Then all was quiet, waterwise, for a while … until on Friday I went into the bathroom, turned on the light, and felt my fingers get wet. Water was very gently dripping down the light switch cord. Not a flood. Drip drip drip. 12 hours was enough to gather about 1.5 inches in a bucket. And it hadn’t been going on for long. This is at the other end of the flat. Our bathroom is under theirs.

I pointed this out to the foreman. He’s an ex-Marine with a Marine’s quickest-way-to-solve-the-problem attitude. “We could cut a hole in your ceiling,” he said. “Not my preferred option,” I replied. “You could lift up your recently laid and heavily, expensively tiled bathroom floor.” “Or we could cut a hole in your ceiling,” he pointed out.

And that, to my shame, is what they did, even though it meant over-ruling Best Beloved, because I was persuaded it was the quickest way to get the leak stopped, and they could patch the hole on the same day to the point of near-invisibility. “Near invisibility” might depend on what spectrum you’re using but in the normal range of human sight it’s pretty visible.

Here’s the hole in mid-operation. Don’t be alarmed – even the best appendectomies probably don’t look very pretty halfway through.


Note the drops of water on the left and the dismantled light switch dangling on the right. The right hand pipe that you see had a pinprick hole in it that was letting out a very thin, fine jet of water.

They couldn’t plug the hole the same day because the cavity was too wet. The next day I left them to it. When I got back the hole was plugged all right … and the muppet who did the plugging had moved the light switch. It used to be slightly to the left as you come into the bathroom. It now hangs in front of the door. You have to go into the room, close the door and then turn the light on; and when you go out again, you have to make sure the cord isn’t caught.

We have asked for it to be redone.

Before work began, I let the flat’s owner know, in writing, that this was a one-off solution to a one-off problem and any further leaks would be dealt with through his brand new bathroom floor. And I suspect there might be some. The leak was a weak spot in one pipe which the plumber thought had been opened up in some old flux because the cold water pipes are now connected directly to the mains rather than to a tank. I know, you’re way ahead of me: if one hole can open up in an old pipe under the new pressure, why can’t others? Time will tell.

As I drove into work yesterday Classic FM started playing Handel’s Water Music. Ha ha.

Requiem for Jennifer

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I didn’t know Jennifer Swift that well but I knew her well enough to be sad to hear she had died. I must have first met her at a convention but I already knew the name from her stories in Interzone. She was Christian, she lived in Oxford, she wrote sf and she liked C.S. Lewis – obviously we were going to get on. Thanks to her I even got to give a talk at the C.S. Lewis society: Lewis was quite strongly opposed to space exploration, but I humbly proposed a few takes on the topic through the lens of science fiction that he might have approved of.

We developed an annual tradition in which she and her husband Tim would explore yet another picturesque cycling route around Oxfordshire on their tandem, and the route would intersect with a pub where I could join them for lunch and she could pick my brains about agents, writing novels and other related affairs. When Jennifer had identified you as a source of information you got a distinct feeling of being locked on to. She was born to be a journalist. The parallel world where her novel did finally get published is a richer place than this one. My input would have accounted for a fraction of the whole which would have been drawn from the many, many streams and strands of thought that so fascinated her.

Latterly, of course, it was we rather than I who joined them for lunch. No lunch this year, though. Didn’t think anything of it and it was probably unrelated to her illness, which was only diagnosed mid-July. Then on 30 September Tim emailed all her friends to say she had died: stage 4 metastatic breast cancer in the liver and possibly the spinal column. Requiem mass sung this morning in the chapel at Magdalen.

Good grief, if I was doing a reading at my wife’s memorial service I couldn’t possibly be as dignified and calm as Tim was, reading a passage from Julian of Norwich in which she saw God hosting a banquet for all the honoured souls in his house – i.e. all of them – and taking a lower seat himself, refusing to hold an exalted position in his own home.

After a couple of shaky starts – the lad must be just on the verge of his voice breaking – a child sang a solo from Perelandra: the Opera, music by Donald Swann (who Tim has always strongly resembled in my eyes):

No man may shorten the way.
Each must carry his cross
On the long road to Calvary,
Follow where other feet have trodden.
Though the burden seems too great
For bleeding shoulders to uphold,
Too dark the path
For failing eyes to see,
Yet the lonely hill must still be climbed,
The desolation still be borne.
No man may shorten the way.

And what a difference it makes at a funeral where the minister delivering the sermon actually knew the deceased.

Once in a while it’s good to splurge out on some really high church. Incense, Latin, the lot. (Though if I had one teeny, tiny criticism, it would be that the incense was kept in a separate room the other side of a closed door, and the server in charge of smells would duck in and out from time to time to get it. The first time he left I honestly thought he might have badly needed a pee and questioned why he had to go in the middle of Tim’s reading. Okay, this was probably for a good reason: I expect the incense was kept in a liturgically sanctioned fume cupboard without which it would have reduced visibility in the chapel to five feet – but even so, it was distracting.)

I thought of the contrast with my usual church and remembered an analogy by C.S. Lewis, which therefore Jennifer would approve of. In fact I know that even Philip Pullman approves of this one because he’s who I heard it from. Roughly it goes: when I was a child, I liked lemonade but I didn’t like wine. Now I’m an adult I still like lemonade but I also like wine. I now enjoy two experiences where I used to enjoy only one: my maturity has enriched me.

Those churches that resolutely use only forms of worship devised this century are confining themselves to lemonade only – and the more determinedly modern they are (“this unsingable piece of whimsy was a hit at New Wine so we must sing it every week until either one day someone learns the tune or we bring back a new hit from New Wine next year – whichever is sooner”) the flatter the lemonade is. Everyone needs a good vintage draught from time to time.

Back to Jennifer, her Church Times obituary is a lovely read and I’ll finish as the service did. Jennifer:

In Paradisum deducant te angeli, in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Jerusalem. Chorus angelorum te suscipiat, et cum Lazaro quondam paupere aeternam habeas requiem.

May the angels lead thee to Paradise; at thy coming may the martyrs receive thee, and bring thee into the holy city Jerusalem. May the choir of angels receive thee, and with Lazarus, once a beggar, may thou have eternal rest.

22 not out

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Twenty two years ago today, 3 November 1987 (a Tuesday), I started my first real job. As I’m now 44 that means I have been working for half my life. (This ignores the fact that I was then 22.75, give or take, so the second half will be completed when I’m 45.5, next August.)

I knew I wanted to get into publishing in some way, even though I didn’t know much about it. I knew that adverts with bold headings like “BREAK INTO PUBLISHING!” were actually aimed at getting cold calling fodder in to work on business directories, so they were to be avoided, as was anything to do with Foyles (its act has cleaned up a lot since then). I forget how I knew these things but I did. Other than that I was anyone’s and had been spraying letters to anyone who remotely looked like a publisher the length and breadth of the country.

Ultimately work found me. My mother’s cousin Jessica Kingsley had been running Jessica Kingsley Publishers for nearly a year at this stage, working from home. She had just moved into her new office in the Brunswick Centre, a concrete monstrosity between Russell and Coram’s Fields, and she was looking to expand the operation.

We Did Lunch and she explained the set-up and the vision. Jessica was the first person I knew, even among my tech-literate friends from university, to talk about desktop publishing and publishing on CD-ROM. Her imagination was way ahead of the technology (we never did publish on CD-ROM while I worked for her) but she saw it all coming. This was October 1987. She tentatively offered me employment until December, at £6000 pro rata. I joined her a week later, in early November, during which time she had somehow scraped up an extra £500 to make my starting salary £6500, and I worked for her for four years. The pay did go up.

The Brunswick Centre – or the Brunswick, as I gather it now calls itself – is a long rectangular open air shopping centre. It’s open at both ends and the long sides on either side of the main plaza are lined with shops; then above them are flats in stepped tiers like a concrete Aztec pyramid. Jessica sublet a single room in a suite of sales offices owned by Gower Publishing. It was a pretty useless location for sales offices, tucked out of the way around a corner opposite the Renoir Cinema, which showed arty foreign films that were never going to generate much drop-in trade. Fortunately a publisher doesn’t really need drop-in trade.

Drop-in trade there was, though, not quite of the kind we would have liked. The Brunswick generated an endless supply of winos and beggars. I could go back and point to the exact place where I first encountered a beggar – a woman about my age who came up to me and bluntly, wretchedly, explained that she had no money for food for XYZ reasons, could I spare some? I was shocked, horrified, and as I was coming out of a shop with my hands full of chocolate bars ready for the journey home it seemed unreasonable to turn her down. I think I gave her a pound.

After four years of working in London, though, my heart became more hardened.

One little old lady – Polish, I think, hardly any English – in one of the flats was convinced we were the management office, so would come in with her worries and complaints. Once a very elderly, confused gent wandered in because he was looking for his GP, whose surgery was elsewhere in the complex. He was suffering chest pains and couldn’t walk any further. I sat him down and ran to the doctor’s surgery, where the impenetrable wall of receptionists simply told me to call an ambulance. He survived.

Another flat was home to a sweet, white haired old gent in a slightly decayed long coat and hat, who was the first gay man I know to have clearly fancied the pants off me. It wasn’t reciprocated. He worked as a tour guide – he said, and I assume it to be true – at the Houses of Parliament. He had spied me from a distance thanks to the office’s conveniently large studio windows and never failed to get into conversation when our paths crossed on my errands (I generally did the evening run to the Post Office, last thing before closing). We even met for a lunchtime beer a couple of times, which seemed a harmless, no-commitment sort of concession. When there was a Tube strike I was invited to stay over at his place rather than fight my way in the next day through the traffic chaos. Jessica however had already told me I could work at home during the strikes which seemed a better alternative.

I was flush with enthusiasm for my new publishing career and assumed the authors I had the honour to be publishing would share that enthusiasm. A publisher has accepted your life’s work; wouldn’t you fall over yourself to work with them and polish it up into a work to be proud of?

Well, no, apparently not. Many authors tend to assume that their work is done and polished when they turn in their draft, so responding to the publisher’s queries or returning proofs isn’t that high a priority. In fact, why show any urgency in turning in the manuscript at all? How hard can publishing a book be? If the publisher says “give us your manuscript in January and we’ll publish in June,” they tend to hear the “publish in June” bit and forget the rest. Then they are indignant and bewildered when they turn in the manuscript on 31 May and learn that it won’t be out until December because the publisher, with an unaccountable urge to keep publishing books and therefore earn money to pay the staff and stay in business, has moved another book into the available slot.

In fact, the whole notion of the publisher being bound by commercial imperatives is a bit beyond many authors. They see the publisher as a slot into which you feed the manuscript and a book comes out the other end. What’s the problem?

That was what I learned about authors.

About myself, I learned that I hate confrontation (which I knew), and can be painfully shy (which I knew), and have very little memory for names or details (which I hadn’t really realised), and can give vague assurances (“your book will be in stock next week”) far too easily. The confrontation and shyness points mean that actually chasing authors, which alas is a necessary part of any editing job, is one of my least favourite activities. I’ve got better at it over the years. The names and details point meant learning to pay more attention, take notes, write stuff down. The vague assurances meant don’t make promises you can’t personally guarantee will be kept. Life is just so much easier all round if you can be organised, and straightforward, and truthful.

Jessica had spent New Year’s Eve 1986 with a bottle of champagne and her first computer, in her own words “working out how to turn it on”. The grand sum of technical knowledge within Jessica Kingsley Publishers hadn’t advanced greatly since then. Thanks to my trusty Amstrad PCW and various temp jobs I could already turn a computer on, and I didn’t need the champagne, so I found my niche in book production, as much as anyone can have a niche in a company that small. I learnt all the dodges of preparing a manuscript in a word processor (remove double spacing and spaces before carriage returns, find and replace various common errors) and setting it in DTP (Ventura, a lovely smooth DOS-based piece of software which frankly has never been bettered, even with the latest incarnation of InDesign that I now use at work). We were way ahead of our time – when I tried to move on I was held back for a long time by the fact that my experience wasn’t yet relevant in an industry that still mostly used hot metal.

We often got books sent in on PCW discs, which meant I could edit them at home. We then had to send them off to a bureau that would put them onto 5.25″ floppies (the last generation of floppies that really could flop) for our office PCs. Jessica kindly paid for me to install a second, high density floppy drive on my PCW at home.

I once got an author’s disc where he had even broken his chapters into different subsections, each one in its own file named by subtopic. So, the contents of his book appeared on screen as a list of alphabetically ordered subsections. Oh, what fun that was to sort out. One of my first professional paid pieces of writing wasn’t science fiction, it was an essay in one of the PCW consumer magazines on how best to prepare your manuscript for a publisher.

It was four highly intense years that I enjoyed hugely, while I picked up all the basic skills I use now (everything else has just been refinement) and my loathing of London grew daily. Soon after I started work there was the Kings Cross fire: the next Christmas, by which time I was commuting up from Farnborough, there was the Clapham Common crash. I was pretty certain, given the gradual and visible deterioration of all forms of public transport, that soon there would be an incident and loss of life that made those two cases look like statistical blips. I wanted to move, to anywhere but London. By the time I left for Oxford in late 1991 my starting salary had almost doubled (I know, I know, twice not very much is still quite little).

January will be the tenth anniversary of my losing my job in medical publishing, which essentially shaped the next decade more than I dreamed could be possible. Expect more reminiscences.